Marcus J. Moore

Marcus J. Moore

Writing

Asher Gamedze’s Astral Jazz Will Carry Your Soul To Utopia

NPR Music

July 20, 2020

How Kendrick Lamar’s ‘Alright’ Became a 21st Century Protest Anthem

Entertainment Weekly

July 17, 2020

Run the Jewels’ Wake-Up Call

The Nation

June 29, 2020

Sault’s ‘UNTITLED’ Lights Up The Full Spectrum Of Blackness

NPR

June 19, 2020

15 Essential Black Liberation Jazz Tracks

The New York Times

June 18, 2020

‘Was It a Lost Psych-Funk Classic?’ It’s Khruangbin, Right Now

The New York Times

June 15, 2020

Funk For The Future

The Nation

May 27, 2020

Moses Sumney’s ‘græ’ Is a Sonic Marvel

Entertainment Weekly

May 16, 2020

The Necessity of Pink Siifu’s Rage

The Fader

April 15, 2020

Kendrick Lamar Thinks Like A Jazz Musician

NPR

April 8, 2020

Reinventing the Sound of Protest

The Nation

April 2, 2020

Thundercat Learns to Let Go

VIBE

March 31, 2020

Tame Impala Is Feeling Serenity Now

The Nation

March 29, 2020

Herbie Hancock’s Ahead-Of-Its-Time ‘Mr. Hands’

Vinyl Me, Please

January 24, 2020

The Buoyant Jazz of Jeff Parker’s “Suite for Max Brown”

Bandcamp Daily

January 24, 2020

Writer Marcus J. Moore on Breaking Through

The Creative Independent

November 29, 2019

Jamael Dean’s Spiritual Jazz

Bandcamp Daily

November 29, 2019

On “Ism,” Junius Paul Distills the Sound of Chicago

Bandcamp Daily

November 29, 2019

The Voice of Casablanca

The Nation

September 20, 2019

The Return of Raphael Saadiq

Entertainment Weekly

August 22, 2019

Bon Iver’s Great Escape

The Nation

August 22, 2019

Don’t Call Madlib, He’ll Call You

Pitchfork

June 7, 2019