New Jazz That Agitates for Change

The New York Times

March 4, 2021

How Black Musical Artists Revolutionized the Sound of Protest in 2016

TIME Magazine

February 5, 2021

Suzi Analogue Wants Black Women in Experimental Music to Never Compromise

The New York Times

January 8, 2021

Rob Mazurek’s Intergalactic Jazz Aims for a New Dimension

The New York Times

December 10, 2020

Kendrick Lamar’s Poetic Awakening

The Nation

October 9, 2020

52 Years Ago, Thelonious Monk Played a High School. Now Everyone Can Hear It.

The New York Times

September 16, 2020

Conway the Machine’s new album caps Griselda’s rise to prominence as one of rap’s essential crews

The Washington Post

September 11, 2020

The Culture Is Still Catching Up With Georgia Anne Muldrow

The Nation

August 31, 2020

Nubya Garcia, Tapping Into the Past to Make Jazz for a New Generation

The New York Times

August 17, 2020

Asher Gamedze’s Astral Jazz Will Carry Your Soul To Utopia

NPR Music

July 20, 2020

How Kendrick Lamar’s ‘Alright’ Became a 21st Century Protest Anthem

Entertainment Weekly

July 17, 2020

Run the Jewels’ Wake-Up Call

The Nation

June 29, 2020

Sault’s ‘UNTITLED’ Lights Up The Full Spectrum Of Blackness


June 19, 2020

15 Essential Black Liberation Jazz Tracks

The New York Times

June 18, 2020

‘Was It a Lost Psych-Funk Classic?’ It’s Khruangbin, Right Now

The New York Times

June 15, 2020

Funk For The Future

The Nation

May 27, 2020

Moses Sumney’s ‘græ’ Is a Sonic Marvel

Entertainment Weekly

May 16, 2020

The Necessity of Pink Siifu’s Rage

The Fader

April 15, 2020

Kendrick Lamar Thinks Like A Jazz Musician


April 8, 2020

Reinventing the Sound of Protest

The Nation

April 2, 2020