Writing

Shabaka Hutchings Goes Back to the Future

Esquire UK

May 16, 2021

Damon Locks and the Black Monument Ensemble’s Spiritual, Funky Escape

The New York Times

April 7, 2021

The Necessity of Pink Siifu’s Rage

The Fader

April 15, 2020

Kendrick Lamar Thinks Like A Jazz Musician

NPR

April 8, 2020

Reinventing the Sound of Protest

The Nation

April 2, 2020

Thundercat Learns to Let Go

VIBE

March 31, 2020

Tame Impala Is Feeling Serenity Now

The Nation

March 29, 2020

Herbie Hancock’s Ahead-Of-Its-Time ‘Mr. Hands’

Vinyl Me, Please

January 24, 2020

The Buoyant Jazz of Jeff Parker’s “Suite for Max Brown”

Bandcamp Daily

January 24, 2020

Writer Marcus J. Moore on Breaking Through

The Creative Independent

November 29, 2019

Jamael Dean’s Spiritual Jazz

Bandcamp Daily

November 29, 2019

On “Ism,” Junius Paul Distills the Sound of Chicago

Bandcamp Daily

November 29, 2019

The Voice of Casablanca

The Nation

September 20, 2019

The Return of Raphael Saadiq

Entertainment Weekly

August 22, 2019

Bon Iver’s Great Escape

The Nation

August 22, 2019

Don’t Call Madlib, He’ll Call You

Pitchfork

June 7, 2019

Re-enter the Wu-Tang: The iconic rap crew on legacy and looking ahead

Entertainment Weekly

May 8, 2019

Solange Searches for Epiphany

The Nation

March 14, 2019

Meek Mill moves forward

Entertainment Weekly

November 28, 2018

The Grand Return of Georgia Anne Muldrow

The Fader

November 6, 2018

Review: Altopalo, frozenthere

Pitchfork

September 20, 2018

Album of the Day: Noname, “Room 25”

Bandcamp Daily

September 18, 2018

Load More